Notes on Chapter 25: Painting

PAINTING WITH WATERCOLORS
  • Watercolors are good for teaching color properties of hue, value, and intensity
  • White watercolor or construction paper is recommended
  • Use newspaper under paintings to speed up cleaning
  • Round, pointed, soft-bristle, camel-hair brushed are recommended
  • Watercolor boxes containing semimoist cakes should be cleaned at the end of the period, and left open to dry
  • Change water containers when they become muddy
  • Preliminary sketches are recommended
  • Areas that are to appear white can be masked off during painting
  • Students should begin with light colors and build to darker values
  • Try combining with crayons or oil pastels in a resist method
  • Art history examples: Winslow Homer, John Singer Sargent, and brush paintings from China and Japan
  • Consider the importance of a vibrant, fresh appearance verses a labored, fussy, muddled appearance

PAINTING WITH TEMPERA
  • Use discarded baby-food jars and half-pint milk cartons as containers
  • For a class of 30, prepare about 60 containers of varying colors, 6 containers of white, and 4 containers of black
  • Students can help out and gain color knowledge by helping prepare the paints
  • Only fill the paint container to the length of the paint brush's bristles
  • If possible, a separate brush should be available for each color of paint
  • After use, squeeze excess paint into containers, then place brushes in a large basin of soapy water to soak overnight, then rinse in clear water
  • Encourage students to make preliminary sketches in chalk or with a brush and light-colored paint
  • Minimize clean-up by using newspapers
  • Encourage students to wear protective clothing
  • To keep paints from running together, avoid painting next to wet areas
  • Tell students to squeeze out excess water thoroughly before using brush to paint again
  • Consider using tempura resist methods with older students

MURAL MAKING
  • Helps students acquire art knowledge and work with others to plan and carry out a project
  • For a collage pin-up mural, urge students to make large and small figures and objects, use overlapping and object groupings, and use size to create sense of distance
  • For scaling up a mural, use the grid method (1 foot = 5 feet is a convenient conversion)

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